{"id":1477,"date":"2019-10-30T14:05:50","date_gmt":"2019-10-30T12:05:50","guid":{"rendered":"https:\/\/jgf.org.za\/?p=1477"},"modified":"2019-10-30T14:05:50","modified_gmt":"2019-10-30T12:05:50","slug":"","status":"publish","type":"post","link":"https:\/\/jgf.org.za\/af\/luister-na-die-jong-sterre-tydens-die-skrywersverblyf\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":2,"featured_media":1482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_en_post_content":"Keanen Engel, Herschelle Benjamin, Du Toit Albertze, Tasneem Daniels en Kanya Viljoen is die eerste groep opkomende dramaturge wat in Paulet Huis in die Oos-Kaap gaan skryf het aan hulle tekste, onder leiding van Amy Jephta. Hierdie projek word aangebied met die ondersteuning van NATi en die Suidoosterfees.\r\n\r\nLuister na hulle ervaringe hier.\r\n\r\n[playlist ids=\"1476,1479,1478,1480\"]\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><img class=\"size-full wp-image-1451 alignleft\" src=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Du-Toit-Alberze.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Du-Toit-Alberze.jpg 300w, https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Du-Toit-Alberze-200x200.jpg 200w\" alt=\"\" width=\"300\" height=\"300\" \/>Du Toit Albertze is \u2019n dramaturg, regisseur en digter wat al bekroon is met twee Beste Nuweling-toekennings by die Toyota US Woordfees en die KKNK. Die teks waaraan hy sal werk tydens die residensie-program, <em>Kaap<\/em>, vertel die storie van \u2018n jong wit skrywer wie se lewe vervleg word met die lewens van twee eksentrieke bruin Kapenaars. Die skrywer soek na \u2019n gemeenskap in \u2018n verwonde stad, maar moet eers \u2018n teaterstuk skryf om geld huis toe te stuur.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><img class=\"size-full wp-image-1452 alignleft\" src=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Tasneem-Daniels.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Tasneem-Daniels.jpg 300w, https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Tasneem-Daniels-200x200.jpg 200w\" alt=\"\" width=\"300\" height=\"300\" \/>Tasneem Daniels, \u2019n onderwyseres aan Athwood Prim\u00eare Skool, het in 2013 \u2019n kreatiewe skryfprogram aan die Universiteit van die Wes-Kaap voltooi en dis hier waar die idee vir haar stuk <em>Opening Miela\u2019s Box<\/em> ontstaan het. Hierdie drama handel oor die Kaaps-Maleise kultuur soos wat dit spesifiek deur die Moslem-gemeenskap in Kaapstad beleef word.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><img class=\"size-full wp-image-1453 alignleft\" src=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Keanen-Engel.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Keanen-Engel.jpg 300w, https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Keanen-Engel-200x200.jpg 200w\" alt=\"\" width=\"300\" height=\"300\" \/>Keanen Engel het in 2017 sy honneurs in Drama- en Teaterstudies aan die Universiteit van Stellenbosch voltooi. Hy was onlangs te sien in die bekroonde teaterstuk <em>Die Gangsters <\/em>wat by die Toyota US Woordfees en ook die Suidoosterfees gespeel het. Sy beplande dramastuk <em>Slim mense<\/em> fokus op \u2019n moederfiguur wat probeer om \u2019n reeks onverstaanbare gebeure in haar lewe en verlede te ontsyfer met behulp van praktyke wat teenstrydig is met haar geloofsoortuigings.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><img class=\"size-full wp-image-1454 alignleft\" src=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Herschelle-Benjamin.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Herschelle-Benjamin.jpg 300w, https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Herschelle-Benjamin-200x200.jpg 200w\" alt=\"\" width=\"300\" height=\"300\" \/>Herschelle Benjamin is tans besig met sy meestersgraad in Drama- en Teaterstudies aan die Universiteit van Stellenbosch. In 2018 debuteer hy as een van die Kunstekaap se Nuwe Stemme met sy stuk <em>Korreltjie Kop Klong is my Dood<\/em>. In dieselfde jaar ontvang hy \u2019n Teksmark-skrywersbeurs van Kunste Onbeperk en NATi asook die Elizabeth MacLennan Internasionale Studiebeurs van die Skotse Universiteite se Internasionale Somerskool (SUISS). Die stuk waaraan Herschelle sal werk, <em>Ons al kind<\/em>, speel af op \u2019n klein plattelandse dorpie waar die omgewing deur verskeie plaasmoorde geruk word.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><img class=\"size-full wp-image-1455 alignleft\" src=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Kanya-Viljoen.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Kanya-Viljoen.jpg 300w, https:\/\/jgf.org.za\/wp-content\/uploads\/2019\/08\/Kanya-Viljoen-200x200.jpg 200w\" alt=\"\" width=\"300\" height=\"300\" \/>Kanya Viljoen is ook besig met \u2019n meestersgraad in Drama- en Teaterstudies en wel aan die Universiteit van Kaapstad. Sy het onlangs gedebuteer deur die toneelstuk <em>RAAK <\/em>by die Vrystaat Kunstefees 2018 op die planke te bring. Dit is as Beste Produksie genomineer en het ook twee KykNET Fi\u00ebsta-nominasies ontvang. Kanya is verder laasjaar as Beste Opkomende Regisseur deur die Suid-Afrikaanse Tydskrif vir Teater (SATMag) aangewys en is hierdie jaar vir \u2019n Fleur du Cap Teater-toekenning benoem. Kanya se <em>Die man en die maan<\/em> vertel deur \u2019n kombinasie van bewegingsteater en po\u00ebtiese monoloog die magiese verhaal van \u2019n gesin wat deur die maan verskeur word.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n&nbsp;","_en_post_name":"luister-na-die-jong-sterre-tydens-die-skrywersverblyf","_en_post_excerpt":"","_en_post_title":"Luister na die Jong Sterre tydens die skrywersverblyf","_af_post_content":"","_af_post_name":"","_af_post_excerpt":"","_af_post_title":"","edit_language":"af","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[2],"tags":[],"class_list":{"0":"post-1477","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news-photos","8":"czr-hentry"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts\/1477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/comments?post=1477"}],"version-history":[{"count":2,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts\/1477\/revisions"}],"predecessor-version":[{"id":1483,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts\/1477\/revisions\/1483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/media\/1482"}],"wp:attachment":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/media?parent=1477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/categories?post=1477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/tags?post=1477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}