{"id":11097,"date":"2023-09-12T18:38:56","date_gmt":"2023-09-12T16:38:56","guid":{"rendered":"https:\/\/jgf.org.za\/?p=11097"},"modified":"2023-10-11T17:32:04","modified_gmt":"2023-10-11T15:32:04","slug":"","status":"publish","type":"post","link":"https:\/\/jgf.org.za\/af\/writer-paul-kammies\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":2,"featured_media":11025,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_en_post_content":"[caption id=\"attachment_11025\" align=\"alignnone\" width=\"300\"]<img class=\"wp-image-11025 size-medium\" src=\"https:\/\/jgf.org.za\/wp-content\/uploads\/2023\/09\/Paul-Kammies-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/> Paul Kammies[\/caption]\r\n\r\nPaul Kammies is a writer and interdisciplinary artist from Cape Town, South Africa. In 2022, he obtained a BA from Stellenbosch University. His poem \u201cSeagulls in Stellenbosch\u201d was published in <i>New Contrast<\/i> (Autumn 2022), and he has written theatre reviews (<i>Krit<\/i>) for <i>Die Burger<\/i>. His writing focuses on the esoteric, the interpersonal, issues around masculinity, and the mundane by making use of magical realism and post-modern techniques. He writes poetry, prose and plays.<span class=\"gmail-apple-converted-space\">\u00a0<\/span>\r\n\r\n<b>Contact Paul<\/b>\r\n\r\nEmail: [encode]paul.kammies.07@gmail.com[\/encode]","_en_post_name":"writer-paul-kammies","_en_post_excerpt":"Paul Kammies is a writer and interdisciplinary artist from Cape Town, South Africa.","_en_post_title":"Paul Kammies","_af_post_content":"","_af_post_name":"","_af_post_excerpt":"","_af_post_title":"","edit_language":"af","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[89],"tags":[],"class_list":{"0":"post-11097","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-our-writers","8":"czr-hentry"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts\/11097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/comments?post=11097"}],"version-history":[{"count":6,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts\/11097\/revisions"}],"predecessor-version":[{"id":11800,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/posts\/11097\/revisions\/11800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/media\/11025"}],"wp:attachment":[{"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/media?parent=11097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/categories?post=11097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jgf.org.za\/af\/wp-json\/wp\/v2\/tags?post=11097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}